If that is not available, please combine the individual resumes (one right after the other) of each team member into one document. If you are applying as a team, please include your team/studio resume.Please keep formatting simple in your original document as only basic formatting will be saved SlideRoom requires that you copy and paste your resume into their online software.If you have never done a permanent work, address how you might translate your work into permanent materials.If you are collaborating with another artist address the reason for the collaboration.Summary of past or current experience that may relate to the skills or experience needed for this project.Career highlights (awards, important exhibits, etc.Summary of your interest/practice as an artist (3-4 sentences).Do not make a specific proposal unless the call specifically asks for one!. A finger swipe, a pinch, push- out, a gesture instantly records history, intent and expression onto the surface, while simultaneously building a tension with the interior volume. The walls of these vessels are like that of a membrane, inflated, stretching thin, just barely able to contain the space within it. He approaches the making of each pot as an individual sculptural object, often with reference to landscape or the human figure. In his vessels and functional forms, he honors the tradition and familiarity of the domestic object, with its ability to enrich our lives through daily use, as a vehicle for communicating content. Jacksonville State University Ceramics Professor John Oles’ work can be seen in the Courtyard Galleries. They are designed to seduce the viewer and lure them in, just like our dependency on fossil fuels, phones, tablets, and computers do. “My flowers are beautiful, but they are monsters, contemporary, biomorphic Frankensteins,” she said. She revels in color, undulating form and alluring textures. In the Leo Reynolds Gallery, painter Wanda Sullivan presents her collection of kaleidoscopic floral paintings entitled “Natural Selections.” Wanda uses measured symmetry, and recently, deconstructed layers of computer-assisted designs with painterly, atmospheric layers of paint. CONTRACT FOR COMMISSIONING OF ARTWORK CONTRACT AMOUNT: 0.00 Office use only: Accession No.:REFNUMBERTax Rate: 0Tax Amount: 0.00Contract Deadline: No. In the spaces between truth and visual chaos, they are both beautiful and grotesque. They pay homage to the truth but only fleetingly and uneven. They are dark and emotional, sentimental even and sometimes wretched in their form. Trapped in vague spaces of strokes and marks they reach, wobble and try to stand. They sit, they yell in puddles of pink, wade through streams of viscous red, and troweled on blacks and brown. The blue washes over them, or suspends them in time. In the vague expressive dust of soot and pigment rests forms uneasy in their shape, ungainly and uncomfortable. Identity is obscured in thickets of opaque dark masses. The lines arc toward the lurching bodies to lift or impede the weight.įigures are composed of mismatched proportions, hewn at the joints with fragile red lines. The carved dark shapes, the backs of hands and elbows are solidly described against a field of smoky neutral pale light. Painless shipping: When you sell your art with. Lines describe what is there and what is not there. Spend less time managing logistics and more time making art. In Mary Shelley’s "Frankenstein," when the monster stirs to life for the first time, the book says there is a “convulsive motion” in the limbs. Kentucky artist Brandon Smith will be showing on the second floor. "Embodied: Contemporary Takes on the Dress" is a collaborative exhibition of thirteen artists: Merrilee Challiss, Leanna Leithauser Lesley, Alvina Zendejas, Montes Hill, Tara Stallworth Lee, Michelle Reynolds, Tracie Noles-Ross, Cynthia Wagner, Erin London, Katie D'Arienzo, Chiharu Roach, Amanda Banks, Kimberly Hart, and Sarah Jane Shaw.Įach dress is a visual narrative stemming from observation and experience, creating an immersive study into individuality, semiotics, joy, sorrow, and humanity. The Gadsden Museum of Art will host all new exhibitions featuring 15 artists throughout June with an opening reception on Friday, June 2 from 5 p.m.
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